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First Assembly of God Ministries Produces Cinematic Worship Telecasts with VariCam LT CineLive System

Florida’s First Assembly of God Ministries Produces Cinematic Worship Telecasts/Streaming with Panasonic VariCam LT CineLive System

AW-UE150 4K/HD Pan/Tilt/Zoom Cameras Capture Specialty Shots

NEWARK, NJ (July 8, 2019) – First Assembly of God, a Pentecostal ministry established 47 years ago in Fort Myers, FL, recently upgraded to Panasonic VariCam LT cameras with CineLive, as well as AW-UE150 4K/HD pan/tilt/zoom cameras, for live production of weekly worship services.

The cameras are also used to produce eight weekly television programs, one of which, “Celebration under the Silverdome,” airs nationally on the CTN network, which is carried on DirecTV and the Dish Network.

Using technology to communicate has long been a high priority at First Assembly, and we understood that we needed to ‘contemporize' our visual message,” said Tod Cole, Media Director, First Assembly Ministries. “Once we experienced the VariCam LT, with its unique signature look, we said to ourselves, ‘That’s the all-in-one solution we’re looking for.’”

First Assembly’s ministry reaches over 6,000 weekly attendees throughout its 25-acre campus, as well as a growing online and TV audience. Three weekend and one weekday service are streamed live on YouTube Live and Facebook Live, as well as on the church’s website ( The Panasonic cameras are likewise utilized for IMAG projection in First Assembly’s main sanctuary, and local television station WRXY-TV streams from the sanctuary for its ”Living as One” program. First Assembly archives its video feeds on Vimeo ( for residual viewing.

varicam LT

In our search for new cameras, we knew we didn’t want a traditional CCD broadcast look, but something modern, with a full 35mm sensor, fiber capabilities, studio viewfinders and a form factor for lenses,” Cole said. “We found all that and more in the VariCam LT.”

Cole explained that three VariCam LTs are positioned throughout the church’s sanctuary, one on a jib, the second in the center, and the third placed at a right angle. One AW-UE150 PTZ is mounted high in the sanctuary to pan left to right for audience reactions, with a second placed on stage for extreme close-ups.

The VariCam LTs are outfitted with Fujinon Cabrio S35 lenses, including the ZK12x25 (25-300) and ZK3.5x85 (85-300) models.

Using a DTS fiber system, the VariCam LTs are connected to the control room, where they are connected to Panasonic AK-HRP1000 Remote Operating Panels. The VariCam LT and HRP1000 combination is referred to as CineLive, and allows complete control and shading of the camera from the control room. While the CineLive system is capable of internal recording and 4K output, First Assembly is mostly utilizing an HD output to interface with its 20’ by 20’ screens and live streaming services.

Cole said that, with 4K projector purchases imminent, he anticipates transitioning to UHD production within six months, and full 4K production within a year.

The VariCam LT features Panasonic’s pioneering Dual Native ISO technology for enhanced sensitivity. Cole noted, “When we’re shooting under full stage lights, we deploy ISO800 for an amazing look. In low light, we bump up to ISO5000. The ability to blur the depth of field is so eye-catching—the congregation’s response to the new production values has been, ‘How is this possibly the same church?’”

For more information about First Assembly of God, visit

About CineLive

The CineLive system is the unique combination of the VariCam LT Cinema Camera and the HRP1000 Remote Operating Panel.  Through an Ethernet connection, the HRP1000 interfaces with the VariCam LT to adjust the camera’s menus and imaging controls.  Production-style LUTs and CDLs can be used, or broadcast-style RGB controls for live grading.  Scene Files can be utilized for presets and quick switching of modes and looks, including switching between sensor frame rates for different looks.  The CineLive system allows multiple outputs from the VariCam camera so that the camera operator can view a display with focus tools while an engineer sees menu controls and a clean image is fed to a switcher for live output.  Equally at home in 4K or HD environments, the CineLive system can output in either resolution and also record a 4K or HD signal internally for later use.  The internal recording can be color graded to match the live output or left “flat” for later adjustment.  A 4K image can be recorded while an HD live signal is output, allowing for future archive use.  Remote record, tally, callback and return video features allow the engineer at the HRP1000 to communicate with the camera operator at the VariCam LT.

For more info on the CineLive system, go to

About the VariCam LT

The VariCam LT camcorder inherits the same super 35mm sensor and superb imaging capabilities that distinguish the award-winning VariCam 35, but with significant reductions in size, weight and price. Incorporating this identical imaging “DNA” in a more compact rendition, the VariCam LT delivers 14+ stops of dynamic range with V-Log, and the esteemed cinematic VariCam image quality and color science, as well as the VariCam 35's breakout innovation, dual native ISOs of 800/5000. Weighing just under six pounds, the VariCam LT is the ideal camera for handheld, SteadiCam, jib, crane, drone, gimbal and overall cinema verité work. The VariCam LT offers a host of new features including an EF lens mount, hot swappable batteries, IR shooting capability, a 23.98 PsF output, cinema style file naming, and image presets such as scene files.

For more information about Panasonic VariCam cinema and high-speed cameras, visit, or contact Panasonic at 877-803-8492.

The AW-UE150 PTZ and Companion AW-RP150 controller

This new flagship model PTZ features 4K/UHD 60p output and a wide horizontally viewing angle of 75.1 degrees (both firsts in their class), plus a 20x optical zoom/32x intelligent zoom (in HD mode).The UE150 is equipped with a large 1” MOS sensor and various 4K interfaces including 12G-SDI, HDMI, optical fiber and IP connectivity. The camera simultaneous outputs 4K and HD, assuring the right output for the production. The camera teams with the AW-RP150, a new touchscreen camera controller. Offering a 7” GUI LCD screen for monitoring and menu settings, the controller offers intuitive, single-hand operability with a joystick (with a seesaw lever for zoom or focus control).

For more information about Panasonic professional video products, visit or contact Panasonic at 877-803-8492.

About Panasonic System Solutions Company of North America

Panasonic System Solutions Company of North America, a division of Panasonic Corporation of North America, delivers game-changing technology solutions that deliver customized experiences to drive better outcomes—for our customers and our customers’ customers. Panasonic designs and manufactures reliable, flexible and dependable products and solutions to help create, capture and deliver information of all types, especially where, when and how it is needed. The complete suite of Panasonic professional solutions for government and commercial enterprises of all sizes addresses unified business communications, mobile computing, security and surveillance, retail point-of-sale, office productivity, audio and visual systems (projectors, displays and digital signage) and professional video production. To learn more and Panasonic’s business products and solutions visit

About Panasonic Corporation of North America


Newark, NJ-based Panasonic Corporation of North America is committed to creating a better life and a better world by enabling its business-to-business customers through innovations in Sustainable Energy, Immersive Entertainment, Integrated Supply Chains and Mobility Solutions.

The company is the principal North American subsidiary of Osaka, Japan-based Panasonic Corporation. One of Interbrand’s Top 100 Best Global Brands of 2018, Panasonic is a leading technology partner and integrator to businesses, government agencies and consumers across the region. Learn more about Panasonic’s ideas and innovations at

Neil Matsumoto